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Stratasys collaborates with Zaha Hadid, Alvin Huang, Francis Bitonti, Jose Sanchez and Jenny Wu, highlighting the shift towards rapid manufacturing and a new industrial revolution
MINNEAPOLIS & REHOVOT, ISRAEL, October, 22 2014 – Stratasys Ltd. (Nasdaq:SSYS), a global leader of 3D printing and additive manufacturing solutions, today announced its collaboration with a prestigious line-up of artists for this year’s ACADIA (the Association for Computer Aided Design in Architecture) conference, 23-25th October, Los Angeles, California, USA. A unique exhibition space at the event includes stunning work from renowned designers, Zaha Hadid, Alvin Huang, Francis Bitonti, Jose Sanchez and Jenny Wu, showcasing intricate 3D printed designs from furniture, fashion and interactive games.
Pushing the boundaries of Stratasys 3D printing technology, the designers have encapsulated their visions for the future of design through the digitally manufactured pieces and created new experiences for the end user. This is explored through the relationships between form and performance, and the design nuances made possible with multi-material and color 3D printing.
Rapid manufacturing is imminent
Award-winning architect and keynote speaker at the event, Zaha Hadid, has collaborated with Stratasys to create an on-demand 3D printed chair exploring the possibilities of large scale multi-material 3D printing.
3D printing enables exceptional high-resolution physical and digital representations that are changing the process of design and physical production. Zaha Hadid Architects’ starting point was to design a relatively lightweight chair that made use of its geometry, detailing and manufacture to highlight and improve its performance.
Zaha Hadid Architects chose 3D printing due to its ability to express minute details and complex surfaces allowing structural optimization. The result is a pattern that deploys density and depth relating to the structural performance of each area of the chair, which is highlighted through the Objet500 Connex3 color, multi-material 3D Printer’s ability to print in a variety of colors and opacities.
Also creating furniture for this project is internationally recognized Alvin Huang. The “Durotaxis Chair”, refers to the movement of cells guided by the rigidity of a gradient. It is an ovoid rocking chair which has two positions, an upright rocker and a horizontal lounge. It is defined by a densely packed 3D printed wire mesh that utilizes Stratasys’ multi-material capabilities, due to its ability to 3D print in gradients of size, scale, density, color, and rigidity.
“3D printing has great potential to revolutionize the design industry. In the past, the focus has predominantly been on rapid prototyping, but the shift towards rapid manufacturing is imminent,” says Alvin Huang. “In some parts my chair is thicker and more rigid, but thinner and softer where it needs to be; this makes for an optimal relationship between form and performance. Without multi-material 3D printing, the gradient distribution of material properties and performance would be impossible.”
3D printing is a direct manufacturing tool for the art and fashion world
Inspired by molecules and geometry, Jose Sanchez explores connectivity, patterns and games with “The Polyomino”. This was developed as single units that can then be organized in multiple ways, dependent on the creator, connecting gameplay and making personal creations.
Jose Sanchez explains: “Inspired by games such as Minecraft, where players can build incredible creations within a game environment, 3D printed assembly means that it is possible to combine hundreds of independent units into one. This removes the constraints of traditional manufacturing and what kind of connections the unit could have, allowing a richer space of possibilities and the ability to work with strong, flexible and precise materials.”
Francis Bitonti’s ‘Molecule’ shoe collection also takes the concept of molecules as small building blocks, which can create complex shapes and products through their interactions when combined on a larger scale.
“For me, using 3D printing in my work is not a choice, it is part of a design philosophy that is emerging as a new industrial revolution,” expands Bitonti.
“As an architect and fashion designer, I was inspired to create something that encapsulates the point where we become connected to our environment, for example the part of a building where it hits the ground, as our foot does in a shoe – this is where the story of an object is told.
The unique capabilities of the Objet500 Connex3 combined with features in Adobe’s new software, enabled me to create shoes that are strong enough to walk in by implementing three materials in a single build, as well as color capabilities for a visual impact that can also show the intricacies of the molecules’ interactions.”
Taking inspiration from 15 years’ experience as an architect, Jenny Wu has created the ‘LACE’ collection, which explores the robust complexities and direct manufacturing enabled by Stratasys FDM technology. ‘LACE’ comprises a commercial available line of 3D printed wearable designs including necklaces and rings, inspired by line-based geometry and intricate, organic movement, standing-out as a bold statement on the body. “I enjoy the possibilities that FDM 3D printing technology offers, as the strength of the materials enable me to directly manufacture jewelry pieces as opposed to just prototype,” says Wu.
Naomi Kaempfer, Creative Director Art Fashion Design for Stratasys, concludes: “We are honored to work with the world renowned office Zaha Hadid Architects (ZHA) and this extraordinary group of architectural and computational designers. We are excited about the exploration of economical and playful use of smart geometries in these five unique designs. The translation of finite element analysis to create a spectacular finished form in the ZHA 3D printed chair, truly depicts the intrinsic aesthetics of digital manufacturing.”
For over 30 years the ACADIA annual international conference has celebrated the role of computation in architecture, planning, and building science as well as design creativity, sustainability, and education. This year the theme of ‘Design Agency’ calls for entrants to look at re-defining the term “Agency” through computational design strategies. The event is also enriched by student installations, architectural prototypes, publications and curated projects such as the Stratasys exhibition.
Co-organizer of the event, Dr. David Jason Gerber, Assistant Professor of Architecture and Engineering elaborates on this year’s event: “We are delighted to host an exclusive curated project from Stratasys this year, as the pieces display a variety of intricacies that set the premise for the future of custom manufacturing and design culture.”
For more information about ACADIA visit: http://2014.acadia.org/index.html
About Stratasys Ltd.
Stratasys Ltd. (Nasdaq:SSYS), headquartered in Minneapolis, Minnesota and Rehovot, Israel, is a leading global provider of 3D printing and additive manufacturing solutions. The company’s patented FDM®, PolyJet™, and WDM™ 3D Printing technologies produce prototypes and manufactured goods directly from 3D CAD files or other 3D content. Systems include 3D printers for idea development, prototyping and direct digital manufacturing. Stratasys subsidiaries include MakerBot and Solidscape, and the company operates a digital-manufacturing service comprising RedEye, Harvest Technologies and Solid Concepts. Stratasys has more than 2,500 employees, holds over 600 granted or pending additive manufacturing patents globally, and has received more than 25 awards for its technology and leadership. Online at: www.stratasys.com or http://blog.stratasys.com
Stratasys and Objet are registered trademarks, and Objet500, Connex, PolyJet, are trademarks of Stratasys Ltd. and/or its subsidiaries or affiliates.
Note Regarding Forward-Looking Statements
The statements in this press release relating to Stratasys’ beliefs regarding the capabilities and benefits consumers will experience from the Objet500 Connex1 and Objet500 Connex2 printers are forward-looking statements reflecting management’s current expectations and beliefs. These forward-looking statements are based on current information that is, by its nature, subject to rapid and even abrupt change.
Due to risks and uncertainties associated with Stratasys’ business, actual results could differ materially from those projected or implied by these forward-looking statements. These risks and uncertainties include, but are not limited to: the risk that consumers will not perceive the benefits of the Objet500 Connex1 and Objet500 Connex2 printers to be the same as Stratasys does; the risk the Objet500 Connex1 and Objet500 Connex2 printers will not perform as expected; and other risk factors set forth under the caption “Risk Factors” in Stratasys’ most recent Annual Report on Form 20-F, filed with the Securities and Exchange Commission (SEC) on March 3, 2014.
Stratasys is under no obligation (and expressly disclaims any obligation) to update or alter its forward-looking statements, whether as a result of new information, future events or otherwise, except as otherwise required by the rules and regulations of the SEC.
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